You just say the first bit of the story, and then you change locations and you’re like, “Okay, I’ve recorded three lines here, I’m gonna change locations.” How do you, why do you think about changing locations like that?

Because this is moving the narrative forward. So there’s a slight pivot in the narrative. I’ve told you what the greatest moment was, and now I’m giving you context. It’s a different - it’s not a different thread of the story, but it’s a little bit of a pivot. So it’s a straight line, and now it’s turning this way. So let me give - let me let you know that with a different angle.

A different angle/location - a physical change - leads the audience to understanding a narrative change/event.


Keyboard Shortcuts

Key Action
o Source
e Edit
i Insight
r Random
s or / Search
www.joshbeckman.org/notes/685813611