
I didn't actually like much of the first two acts, but the final act is *just* so perfect. And I gave another star just for M. Emmet Walsh's performance.
You can see so much of what a Cohen style would become: mirrored cinematic transitions, sweaty realism, stupidly and misunderstanding as fatal flaw, patient conversations, heavy diegetic sound. This first attempt just isn't as refined as they would become.
Josh Beckman
Widgets
Comments & Replies
You can subscribe or follow or reply here: