Note on Dragoncatcher: Ungrounded Thought via Robin Sloan
The overloading of common words is well underway: new language models have “thinking” modes, “reasoning” capabilities! What this means, in practice, is that they’ve learned to produce a special kind of text, the conversion of the linguistic if-then into a dynamo that spins and spins and, often, magically — yes, it is magical — produces useful results.
Here is one distinction among several: this process can only compound — the models can only “think” by spooling out more text — while human thinking often does the opposite: retreats into silence, because it doesn’t have words yet to say what it wants to say.
Human thinking often washes the dishes, then goes for a walk.
So, if you redefine “thinking” to mean “arriving at a solution through an iterative linguistic loop” … yes, that’s what these models do. That definition is IMHO pretty thin.
We talk about humans thinking harder, which is not the same as thinking longer. I think most people know from experience that thinking longer generally just makes you anxious. But that’s what the models do, and not only longer, but in parallel, all those step-by-step monologues spilling out simultaneously, somewhere in the dark of a data center. “Quantity has a quality all its own,” said Stalin, maybe …
Well, okay — what does it mean for a human to think harder? Reasonable people will disagree (and in interesting ways) but, for my part, I think it means prospecting new analogies; pitching your inquiry out away from the gravitational attractors of protocol and cliché; turning the workpiece around to inspect it from new angles; and especially bringing more senses into the mix — grounding yourself in reality. You’ll note these moves are challenging or impossible for systems that operate only on/with/inside language.
A couple of years ago, when I wondered if language models are in hell, I expressed some hope about the richness of multimodal training. So far, this hasn’t panned out. Rather than images anchoring text in a richer, more embodied realm, the marriage seems to have gone the opposite direction. The models chop images into sequences of tokens — big bright pictures become spindly threads, a bit sad — and feed them in along with everything else.
We are going to lose this word — we might already have lost it — but/and we can put a marker down; a gravestone, you might call it; for a kind of thinking that used to mean more than “more”.
Reference
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